Air date: Wednesday, October 17 at 3 PM CST
On this Lit Show, writers from the University of Iowa’s International Writing Program read fiction, poetry, and non-fiction.
Since 1967, over a thousand writers from more than 120 countries have attended the IWP at the University of Iowa. Every fall semester, several dozen established and emerging creative writers—poets, fiction writers, dramatists, and non-fiction writers— come to the University to make time for their writing, take part in Iowa City’s literary culture, and experience daily life in America. For many IWP writers, the residency provides their first direct experience of the United States.
We’re pleased to feature six writers whose work is as varied as their backgrounds.
Genevieve L. ASENJO (fiction writer, poet, translator; Philippines) is the author of four books including Lumbay ng Dila (The Melancholy of the Tongue), winner of the country’s 2011 National Book Award. Her short stories and poems have appeared in many magazines and anthologies. She translates into the Philippine languages Kinaray-a, Hiligaynon, and Filipino, and is the founder-director of Balay Sugidanun (Storytelling House). She is Associate Professor of literature and creative writing at De La Salle University-Manila. Her participation is made possible by a grant from the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Alisa GANIEVA (fiction writer, children’s writer, critic; Russia) edits NezavisimayaGazeta‘s weekly supplement ExLibris. Her stories, articles, and reviews have been widely published and anthologized. In 2009 Ganieva won the Debut Prize for her novel Салам тебе, Далгат! [Salam, Dalgat!] written under the pseudonym Gulla Khirachev. She is also the winner of the Gorky Literary Prize (2008), October magazine’s award for literary criticism (2009) and Triumph Prize for fiction. Her second novel Праздничная гора [Holiday Mountain] is due out later this year. She participates courtesy of the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Jeffrey Paparoa HOLMAN (poet, nonfiction writer; New Zealand) has worked as a sheep-shearer, postman, lecturer, psychiatric social worker and bookseller. He is the author of a book of nonfiction, Best of Both Worlds: The Story of Elsdon Best and Tutakangahau (2010), and seven collections of poetry, including As Big As A Father (2002) and, most recently Shaken Down 6.3. His memoir, The Lost Pilot is forthcoming. His participation is supported through a grant from Creative New Zealand.
Christopher MLALAZI (fiction writer, playwright; Zimbabwe) is the author of the novels Many Rivers (2009) and Running With Mother (2012), and the short story collection Dancing With Life: Tales From the Township (2008), which won the Best First Book award at the National Arts Merit Awards. Mlalazi’s eight plays, including the 2008 Oxfam/Novib PEN Freedom of Expression Award winner “The Crocodile Of Zambezi,” have all been staged. His poems and stories are online and in print, including in the Caine Prize’s anthology The Obituary Tango (2006) and in The Literary Review. He participates courtesy of the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Pandora (poet; Burma/Myanmar) is the editor of the forthcoming [Tuning: An Anthology of Myanmar Women Poets], due out this August. Her poems have been anthologized in Bones Will Crow: 15 Contemporary Burmese Poets (2012), and translations of her work have been published in international literary journals and magazines, including Asymptote, Poetry Review, and Sampsonia Way. She currently works for the Intellectual Property Office of Singapore.
Stephanie YE (fiction writer; Singapore) has been published in journals such as the Quarterly Literary Review Singapore, Mascara Literary Review, and Sci-Fi Short Story Magazine. Her first solo publication is a chapbook titled The Billion Shop, published by Math Paper Press in 2012. She has worked as a copyeditor, arts reporter, and book critic for The Straits Times. Ye’s participation was made possible thanks to a grant from the Singapore National Arts Council.